Mark Ronson
Ronson has revealed that he has listened to some new albums by Dua Lipa. During a conversation with Vultur on July 19, He discussed Dua Lipa’s “Dance the Night” for the Barbie soundtrack and shared that he didn’t write the song specifically for Dua.
He said, “We didn’t write it for Dua – we wrote the music and then she wrote the lyrics with Caroline Ailin.”
“It’s all come together like a soup. So, I’m sure there’s some mutual influence between Dua and me.
It feels like a ‘Future Nostalgia’ sort of thing – easy because it does what I genuinely like when it comes to dance music: it has energy, but it’s tough and quirky,” he added.
Continuing on toward Dua Lipa’s next collection, He said, “I’ve heard some of it, and it’s fantastic.” He likewise alluded to the music video for “Dance the Evening,” recommending that breaking the disco ball in the video may be an image for Dua Lipa’s forthcoming record: “I feel that is the reason she’s breaking the disco ball in the video, correct? It feels like she’s leaving her victorious mark on that era of her music.”
The profoundly expected follow-up film to Dua Lipa’s “Future Sentimentality” doesn’t have a delivery date yet. Last year in Spring, she uncovered to Elton John that the record was “50% finished.” She said, “When I was conversing with Elton, it seemed like I was part of the way through the record.”
Barbie
“But as I kept going, it completely changed, and now it feels very cohesive to me. I’m going to keep writing in the early months of the new year and see what the future holds.
As to the forthcoming collection, Dua Lipa expressed, “The collection is unique – it’s actually pop however it’s different sonically, and it’s more reasonable. On the off chance that I let you know the title, all that will appear to be legit – however, I think we’ll need to sit tight for it.”
Mark Ronson, who produced the Barbie Soundtrack film, is ready for it is released(July 21). The movie features Margot Robbie and Ryan Gosling in lead roles, with Dua Lipa, Simu Liu, Michael Cera, and others providing support.
The film received a four-star review from NME’s Alex Flood, who wrote, “There’s an unexpected subtlety in the script, particularly during tender moments that pack an emotional punch. Arguably, a part of the purpose of bringing Barbie to the big screen was to alter her old image of rigid beauty standards and unrealistic body proportions. For a film that’s ostensibly here to promote a doll, that’s commendable.”